The greatest British novel of all time is Middlemarch by George Eliot, according to new poll by the BBC.
英國(guó)廣播公司(BBC)進(jìn)行的最新調(diào)查顯示，英國(guó)最經(jīng)久不衰的小說(shuō)是喬治·艾略特的《米德?tīng)栺R契》。

BBC Culture contributor Jane Ciabattari surveyed 82 book critics from outside of the UK, in order to get an outsider's perspective on British literature.
BBC文化專欄投稿人Jane Ciabattari通過(guò)調(diào)查82位來(lái)自英國(guó)以外國(guó)家的書籍評(píng)論家，獲得了外國(guó)人對(duì)英國(guó)文學(xué)的看法。

The Beeb said: "The British novel has influenced the form around the world for centuries, so we felt it was important to get a global perspective. The critics we polled live and work all over the world, from the United States and continental Europe to Australia, Africa, Asia, India and the Middle East ... Each who participated submitted a list of 10 British novels, with their pick for the greatest novel receiving 10 points. The points were added up to produce the final list."
BBC稱：“幾個(gè)世紀(jì)以來(lái)，英國(guó)小說(shuō)一直影響著全球各地小說(shuō)的形式，因此我們認(rèn)為獲得全球性的看法非常重要。我們調(diào)查的這些評(píng)論家在全球各地生活和工作，有的來(lái)自美國(guó)，有的來(lái)自歐洲大陸、澳大利亞、非洲、亞洲、印度和中東……每個(gè)參與者都給出一份列有10部英國(guó)小說(shuō)的清單，被他們選作最經(jīng)久不衰的小說(shuō)可以獲得10分。我們?cè)賹?duì)這些分?jǐn)?shù)進(jìn)行累加，得出最終的書單?！?/p>

The critics named 228 novels in all. These are the top 10:
這些評(píng)論家總共提到了228部小說(shuō)，以下是獲評(píng)前10的小說(shuō)：

10. Vanity Fair (William Makepeace Thackeray, 1848)
威廉·梅克皮斯·薩克雷《名利場(chǎng)》，1848年出版

This novel features probably the greatest anti-heroine in English literature, Becky Sharp, and a plot that revolves around class, social climbing and a financial crisis that will seem eerily familiar to modern readers.Vanity Fair has it all. It both speaks of its time, and speaks of all times.
這部小說(shuō)的主角或許就是英國(guó)文學(xué)史上最知名的非正統(tǒng)派女主角——貝奇·夏普，小說(shuō)的情節(jié)圍繞階級(jí)、社會(huì)、躋身上流社會(huì)以及現(xiàn)代讀者聽(tīng)來(lái)又熟悉又害怕的金融危機(jī)?！睹麍?chǎng)》這些要素全都具備, 講述那個(gè)年代，也講述著每一個(gè)年代。

9. Frankenstein (Mary Shelley, 1818)
瑪莉·雪萊《科學(xué)怪人》，1818年出版

This pioneering work of science fiction and Gothic horror developed an indelible 'monster' of a theme that has endured for centuries: of the scientist as a "modern Prometheus".
這部先鋒作品集科幻和哥特式恐怖于一身，營(yíng)造了一個(gè)難以磨滅的“惡魔”主題，即科學(xué)家中的“現(xiàn)代普羅米修斯”，幾世紀(jì)以來(lái)經(jīng)久不衰。

8. David Copperfield (Charles Dickens, 1850)
查爾斯·狄更斯《大衛(wèi)·科波菲爾》，1850年出版

David Copperfield is populated by some of the most vivid characters ever created. They are as much a part of readers' world, and their way of thinking about the world, as people they have actually met.
《大衛(wèi)·科波菲爾》人物形象眾多，性格鮮活的角色云集。這些人物角色仿佛是讀者所在真實(shí)世界的一部分，和讀者親身遇見(jiàn)的人一樣，有著相似的世界觀。

7. Wuthering Heights (Emily Bront?, 1847)
艾米莉·勃朗特《呼嘯山莊》，1847年出版

Wuthering Heights is "powered by more psychological energy than any book ever written". Readers admire Wuthering Heights because of "its layered narrative structure, because it is a work of incredible imagination, and because it is far more than a love story. The story shows 'the eternal rocks beneath' our fleeting desires.
《呼嘯山莊》“蘊(yùn)含巨大的心理能量，沒(méi)有其它書籍能夠與之匹敵?！弊x者推崇《呼嘯山莊》是因?yàn)槠洹皩訉盈B疊的敘述結(jié)構(gòu)”和豐富驚人的想象力，更因?yàn)椤逗魢[山莊》超越了愛(ài)情故事本身，展現(xiàn)了我們轉(zhuǎn)瞬即逝的欲望之下“永恒的震撼”。

6. Bleak House (Charles Dickens, 1853)
查爾斯·狄更斯《荒涼之屋》，1853年出版

Bleak House is among Dickens novels, uniquely original in its alternation of first-person past-tense chapters with a concurrent third-person account in present tense.
《荒涼之屋》是狄更斯的小說(shuō)之一，以第一人稱過(guò)去時(shí)所寫的章節(jié)與第三人稱現(xiàn)在時(shí)的敘述并行，兩者間的切換創(chuàng)新獨(dú)到。

5. Jane Eyre (Charlotte Bront?, 1847)
夏洛蒂·勃朗特《簡(jiǎn)·愛(ài)》，1847年出版

Bront?'s revolutionary 1847 Gothic romance about a young woman seeking a richer and more passionate life on her own still resonates with modern readers. Bront?'s novel features the orphan Jane Eyre's search for an identity, her powerful attraction to her master, Mr Rochester, and an intimate description of her complex moral choices and sometimes raw emotional states.
勃朗特這部哥特式愛(ài)情傳奇出版于1847年，內(nèi)容革新，講述了一個(gè)年輕女性追尋更為充實(shí)激情的生活，至今仍能引起現(xiàn)代讀者的共鳴。 勃朗特小說(shuō)的主人翁簡(jiǎn)·愛(ài)是個(gè)孤兒，追尋著自我的身份，主人羅切斯特先生深深吸引著她，其情至真令簡(jiǎn)`愛(ài)無(wú)法抗拒；小說(shuō)真切描述了簡(jiǎn)·愛(ài)復(fù)雜的道德抉擇及其有時(shí)顯得有些原始的情感狀態(tài)。

4. Great Expectations (Charles Dickens, 1861)
查爾斯·狄更斯《遠(yuǎn)大前程》，1861年出版

Great Expectations might be the quintessential British novel. To re-read Dickens' classic as an adult is to discover its wit and brio, its influence, and its truth. It has all the elements of classic Dickens – endearing, flawed characters; a plot that skewers the politics of the time; subplots that skewer morality and culture; a love story; and a wonderful storyline.
《遠(yuǎn)大前程》或許是最地道的英國(guó)小說(shuō)。成年讀者重溫狄更斯經(jīng)典，去發(fā)現(xiàn)其智慧與精彩、影響與真理?！哆h(yuǎn)大前程》有狄更斯經(jīng)典的所有元素，討人歡喜卻不甚完美的角色、主要故事情節(jié)能牽住時(shí)局、副線情節(jié)串起道德與文化，是部情節(jié)精彩的愛(ài)情故事作品。

3. Mrs Dalloway (Virginia Woolf, 1925)
弗吉尼亞·伍爾芙《達(dá)洛衛(wèi)夫人》，1925年出版

If the most precious gift of the novel as a medium is the power it has to break into the prison of human consciousness, to expose the gossamer weave of thought and feeling and memory that makes up our innermost lives, then Woolf's fourth novel stands alone at the pinnacle.Virginia Woolf made modernism live and breathe.
如果說(shuō)這部小說(shuō)作為媒介最天才之處在于其破除人類意識(shí)的囹圄、顯露人們細(xì)若蛛絲的思緒、顯露構(gòu)成我們內(nèi)心生活的記憶，那么伍爾芙的第四部小說(shuō)本身就是鼎峰之作。弗吉尼亞讓現(xiàn)代主義煥發(fā)新生、重現(xiàn)生機(jī)。

2. To the Lighthouse (Virginia Woolf, 1927)
弗吉尼亞·伍爾芙《到燈塔去》，1927年出版

Subtle, beautiful, staggeringly intelligent and flat-out original. A masterpiece of modernism, its stream-of-consciousness, richness of language and perceptions has continued to reveal itself.
細(xì)膩美妙、智慧驚人，是不折不扣的原創(chuàng)之作?，F(xiàn)代派的大師之作，運(yùn)用意識(shí)流寫法，其語(yǔ)言豐富、觀察敏銳，不言自明。

1. Middlemarch (George Eliot, 1874)
喬治·艾略特《米德?tīng)栺R契》，1874年出版

A novel of great characters, it's an even greater novel of ideas and ideals. Middlemarch is the greatest social and psychological novel ever written in English.
這部小說(shuō)人物角色卓越，更精妙之處在于其想法與理念。《米德?tīng)栺R契》是迄今最偉大的英文社會(huì)心理學(xué)小說(shuō)。

（來(lái)源：中國(guó)日?qǐng)?bào)網(wǎng) 滬江英語(yǔ) 編輯：丁一）